Authors
Stephen Rickerby
He is a consultant wall painting conservator on the
Getty Conservation Institute’s projects in the Queens
Valley and in Tutankhamun’s tomb, Egypt. He has coordinated
conservation projects in the UK, Jordan, Cyprus,
Malta, China, Bhutan, Georgia and Ethiopia, on behalf of
conservation institutions, governmental bodies and private
foundations. He also has long experience of teaching
conservation theory and practice.
Getty Conservation Institute’s projects in the Queens
Valley and in Tutankhamun’s tomb, Egypt. He has coordinated
conservation projects in the UK, Jordan, Cyprus,
Malta, China, Bhutan, Georgia and Ethiopia, on behalf of
conservation institutions, governmental bodies and private
foundations. He also has long experience of teaching
conservation theory and practice.
Lori Wong
She is a wall painting conservator and graduate of the
Courtauld Institute of Art’s Conservation of Wall Paintings
Program. Since 2002 she has worked as a Project Specialist
at the Getty Conservation Institute on projects in
China, Egypt and Morocco. Lori strives to improve the
approaches and strategies to protecting and conserving
sites with wall paintings and is currently pursuing her
MBA at The Wharton School. Lori is coordinator of the
Murals, Stone and Rock Art Working Group of the International
Council of Museums - Committee for Conservation
(ICOM-CC), a Fellow of the International Institute for
Conservation of Historic and Artistic Works (IIC), a member
of the US National Committee of the International
Council on Monuments and Sites (US/ICOMOS) and an
Expert Member of the International Scientific Committee
on Earthen Architectural Heritage (ISCEAH).
Courtauld Institute of Art’s Conservation of Wall Paintings
Program. Since 2002 she has worked as a Project Specialist
at the Getty Conservation Institute on projects in
China, Egypt and Morocco. Lori strives to improve the
approaches and strategies to protecting and conserving
sites with wall paintings and is currently pursuing her
MBA at The Wharton School. Lori is coordinator of the
Murals, Stone and Rock Art Working Group of the International
Council of Museums - Committee for Conservation
(ICOM-CC), a Fellow of the International Institute for
Conservation of Historic and Artistic Works (IIC), a member
of the US National Committee of the International
Council on Monuments and Sites (US/ICOMOS) and an
Expert Member of the International Scientific Committee
on Earthen Architectural Heritage (ISCEAH).
Bianca Madden
She is a conservator based in Oxford specialising in
wall paintings and polychrome sculpture. She works in
the UK and internationally, and has been involved in work
in Egypt since 2004, notably on the painted Theban tombs
of Menna, Neferenpet, Sennefer and Amenemope. She
was recently part of the ICOM CIPEG Expert Group on
the Tutankhamen Shrine Project.
wall paintings and polychrome sculpture. She works in
the UK and internationally, and has been involved in work
in Egypt since 2004, notably on the painted Theban tombs
of Menna, Neferenpet, Sennefer and Amenemope. She
was recently part of the ICOM CIPEG Expert Group on
the Tutankhamen Shrine Project.
Hugues Tavier
He is a graduate conservator of ENSAV-La Cambre in
Brussels. He participates in the works of conservation of
the two Theban tombs 29 and 96 tombs since 2001. He
dedicates itself at present to a doctoral research on Theban
painting during the 18th Dynasty (Ancient Egyptian
Art History and Archaeology at the University of Liège,
Belgium).
Brussels. He participates in the works of conservation of
the two Theban tombs 29 and 96 tombs since 2001. He
dedicates itself at present to a doctoral research on Theban
painting during the 18th Dynasty (Ancient Egyptian
Art History and Archaeology at the University of Liège,
Belgium).
Khadija Adam
A professional conservator and manager with 24 years’
experience in domestic and international conservation
projects. Specialized skills include all types and phases of
conservation and restoration activities, consulting, generating
bill of quantities, teaching and training, conservation
management research and studies and materials testing.
Master degree 2012 – Conservation Department and
Ph. D. Program Cairo University 2015. She is currently the
ARCE-Luxor Conservation Manager.
experience in domestic and international conservation
projects. Specialized skills include all types and phases of
conservation and restoration activities, consulting, generating
bill of quantities, teaching and training, conservation
management research and studies and materials testing.
Master degree 2012 – Conservation Department and
Ph. D. Program Cairo University 2015. She is currently the
ARCE-Luxor Conservation Manager.
Professor Dr. Ahmed S. Shoeab
Restoration and conservation of monuments, pictures,
wall painting. Conservation Department, Faculty of Archaeology,
Cairo University. Visiting Professor, Kansai
University, Osaka, Japan
wall painting. Conservation Department, Faculty of Archaeology,
Cairo University. Visiting Professor, Kansai
University, Osaka, Japan
Professor Dr. El Sayed M. El Banna
Restoration and conservation of historic buildings and
archaeological cities. Conservation Department, Faculty
of Archaeology, Cairo University. Visiting Professor, Kansai
University, Osaka, Japan
archaeological cities. Conservation Department, Faculty
of Archaeology, Cairo University. Visiting Professor, Kansai
University, Osaka, Japan
Pia Rodriguez Frade
Titulada por la Escuela de Conservación y Restauración
de Bienes Culturales de Madrid, en la especialidad
de arqueología. Forma parte del proyecto Djehuty desde
2005 donde es responsable de la conservación de los
objetos procedentes de la excavación siendo estos de
gran variedad e incluyendo madera, cartonaje, fayenza,
piedra, cestería o lino. Trabaja como restauradora para
arqueólogos, arquitectos o empresas de restauración,
colaborando en montaje de exposiciones tanto temporales
como permanentes.
de Bienes Culturales de Madrid, en la especialidad
de arqueología. Forma parte del proyecto Djehuty desde
2005 donde es responsable de la conservación de los
objetos procedentes de la excavación siendo estos de
gran variedad e incluyendo madera, cartonaje, fayenza,
piedra, cestería o lino. Trabaja como restauradora para
arqueólogos, arquitectos o empresas de restauración,
colaborando en montaje de exposiciones tanto temporales
como permanentes.